Yousuf Karsh: Portraits of Greatness

Yousuf Karsh is one of my favorite portrait photographers. Yet until last week I had only seen his images in books and online, never in an actual exhibit. Fortunately I caught the last day of Portraits of Greatness at Boston’s Museum of Fine Arts. It’s now moving to the Art Institute of Chicago. It’s a great show whether your interest is in photography or in the monumental subjects. Everyone who was anyone -- Winston Churchill, Pablo Picasso, Nikita Khrushchev, Ernest Hemingway, Audrey Hepburn, Albert Einstein, Fidel Castro, Mohammed Ali, and Jacqueline Kennedy – wanted to sit for Karsh. My two favorite stories: He refused to photograph George W. Bush, not because of political reasons but because George W. said he didn’t care what the image was long as Karsh was the man who pushed the shutter release. Such a comment showed no understanding, respect or appreciation for Karsh’s technique and the time it took to know and capture the essence of his subjects. The second is how he achieved the expression on Churchill’s face in the image above. At the last moment, Karsh plucked Churchill’s cigar from his lips, resulting in this stern expression. Two other things are worth noting for anyone constantly looking for inspiration. Karsh got his idea for controlling light by studying Rembrandt portraits on exhibit in Boston museums during his two years apprenticing in that city between 1928 and 1930. There he realized that the artist could control how light affected a subject. A year later he joined the Ottawa Little Theater, and the spectacle of stage lighting helped him learn how to achieve the intense moods that define his images. They remind us that, among other things, we all need constant exposure to new sources of inspiration if we’re to make something great.

Recently Googled, “I am not creative.”

“I’m not creative.” It’s a line I’ve heard hundreds of times. From clients, account executives, strangers on an airplane. For some reason they actually believe it’s beyond them to conceive a clever idea, write an ad, compose a story, or create a piece of art. Recently I Googled the actual quote, “I am not a creative person.” It generated thousands of results. Parents, teachers, scientists among them. The fact is we’re all creative. Or at least until about the third grade, when they make us surrender our crayons. From that point on parents, educators, and the rest of society teach us to conform, discourage us from being different and instead urge us to fit in. Sure some of us resist, but a lot us stop taking chances, fearing rejection or worse, failure. Of course it’s never too late to get your creativity back or help someone else jumpstart theirs. There are hundreds of ways to go about it. But here are a couple you can link to right from this page. The first is Hugh MacLeod’s How to be Creative manifesto. The second, oneword, is a simple little exercise that will get you started thinking, writing and taking chances. Which is what you used to do with those crayons, remember.

I Met the Walrus: 1969 Meets 2008

The film has been around for a while. Won its fair share of awards. But worth adding to the things TCLP admires because it's such a perfect combination of words, pictures, art, animation, film making and technology. Proof that the whole can be greater than the sum of its parts with a little imagination. Based on an interview with John Lennon by Jerry Levitan when he was 14. He kept the tape and 38 years later made it into this film. Directed by Josh Raskin. Pen sketches by James Braithwaite. Digital illustration by Alex Kurina.